Led Zeppelin: Pittsburgh 1973 (VG+ Aud) FLAC

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Joni Mitchell: Cambridge 1968 (FM) FLAC

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Legion of Mary: New York 1975 (Soundboard) FLAC

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Steve Wynn: San Francisco 1997 (Soundboard) FLAC

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Elvis Presley: Memphis 1976 (Studio) FLAC

final installment by request

Welcome To The Jungle - Hurt
Label/Lineage: Venus Productions Silver CD - EAC secure mode test & copy - flac front end
Label Number: 2010-07
Release Date: 2011
Recording Type: Studio Recordings
Location: Graceland, Jungle Room
Date: 4-5 February 1976
Sound: Studio
EAC log and 300dpi scans included
A RamesesII/Ozark Rip March 2012

The third of five excellent volumes concentrating on Elvis's final recording sessions at Graceland.

01 I'll Never Fall In Love Again (takes 1 & 2)
02 I'll Never Fall In Love Again (take 3)
03 I'll Never Fall In Love Again (takes 4 & 5)
04 I'll Never Fall In Love Again (undubbed master)
05 I'll Never Fall In Love Again (master)
06 For The Heart (take 1)
07 For The Heart (takes 2 & 3)
08 For The Heart (take 4)
09 For The Heart (false starts & take 5)
10 For The Heart (undubbed master)
11 For The Heart (master)
12 Hurt (take 1)
13 Hurt (take 2)
14 Hurt (false starts & take 3)
15 Hurt (take 4)
16 Hurt (take 5)
17 Hurt (take 6)
18 Hurt (undubbed master)
19 Hurt (remixed)
20 Hurt (master)
21 Hurt (x-rated version)

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Led Zeppelin: Newport 1969 (Aud) FLAC

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Jimi Hendrix: Band Of Gypsys Rehearsals 1968-69 (Studio) FLAC

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Pink Floyd: Offenbach 1971 (VG Aud) FLAC

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REO Speedwagon: Chicago 1979 (FM) FLAC

international ampitheatre, chicago, illinois - december 28, 1979
--john e lee 013--master tapes(ampex extra low noise/high output 90min)>technics rs-t36r>r9(line in)>2gb memory card>pc>audition>cd wav>tlh(flac 8)>you
vida audition, the three sides from the two tapes were spliced togther. the volume was amplified by 2.5 db overall. a very slight touch of low end was added. the tracks were cut using cd wav. nothing else has been done
OU: here's a master fm tape from the archives of john e lee. it is unknown what type of equipment was used to record the live broadcast on wlup the loop, chicago's rock station. the 2nd tape of this file was not in the best shape and getting a good transfer took several attempts. this is a great sounding show with a very minimal of hiss. there is a slight portion of the show missing. it cuts at the end of track 10 on disc one. no music is missing from track 10. on track 11, it cuts in at the start of the song. with that being said, would grade this 8-9/10.
the band is clearly in high spirts, putting on a hometown show at the international ampitheatre.
the slaughtering of animals has its roots at the ampitheatre and tonight was no exception.
reo went out there and killed till the crowd yelled for more, closing out the evening with a few tasty covers before finishing off with one of their own.

disc 1
01)house announcer
02)intro
03)say you love me or say goodnight
04)like you do
05)heavy on your love
06)drop it(an old disguise)
07)only the strong survive
08)easy money
09)roll with the changes
10)time for me to fly (cuts out)
11)back on the road again (cuts in)

disc 2
01)the unidentified flying turkey trot (includes guitar solo)
02)157 riverside avenue
03)keep pushin
04)ridin the storm out
05)audience (dj comments too)
06)little queenie *
07) rock n roll music
08)golden country
09)closing (introductions)
10) dj out comments

the dj comments have been left, but they've been cut into their own individual tracks.
*originally by chuck berry enjoy.

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Fleetwood Mac: San Francisco 1968 (Soundboard) FLAC

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Pink Floyd: West Berlin 1970 (VG Aud) FLAC

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Heart: Fort Worth 1980 (FM) FLAC

Tarrant County Convention Center, Ft. Worth, TX (USA) April 3, 1980
WMET FM Broadcast>Reel To Reel Master>WAV>CDR>EAC>FLAC

Disc One:
1: Ann Wilson Interview
2: Babe La Strange
3: Crazy On You
4: Straight On For You
5: Even It Up
6: Raised On You
7: Strange Night
8: Dog And Butterfly
9: Unknown
10: Down On You (Reel Flip)

Disc Two:
1: Minstrel Wind
2: Silver Wheels
3: Break
4: Magic Man
5: Barracuda
6: Rocking Heaven Down
7: Rock And Roll
8: Sweet Darling
9: I'm Down/Long Tall Sally
10: Unchained Melody

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Led Zeppelin: Nancy 1973 (VG+ Aud) FLAC

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(Possibly) Expect One Final Move

I am attempting to get reinstated in Google's Ad program. This may require one more address change for the blog.

If this effort doesn't work then I am probably going to "call it a day" so to speak.
What started out as a little hobby has grown into a two-three hour a day effort.
I continue to appreciate your kindness, encouragement and willingness to contribute in a variety of ways.

Stay close this month for further updates.
-dave

PS Special thanks this month to
Gunter M.
Mark B.
Gregg I.

Pink Floyd: Various 1970-1974 (FLAC)

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Talking Heads: Sydney 1979 (FM) FLAC

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Led Zeppelin: Wreckage In Boston (3 Shows- 1970, 1971 + 1973) FLAC

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Randy Bachman: Whistler 1993 (FM) FLAC

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Beach Boys: Grand Prairie 2012 (VG+ Aud) FLAC

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Boston: Cleveland 1976 (Pre-FM) FLAC

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Led Zeppelin: Tucson 1972 (VG+ Aud) FLAC

Community Center, Tucson, Arizona 1972-06-28 audience
"LZ RIDERS IN AZ"
lineage - Tarantura silver CD's > EAC wav > TLH flac 8
art,ffp,eac logs included

disc 1
101 az drone
102 immigrant song
103 heartbreaker
104 black dog
105 over the hills and far away
106 since I've been loving you
107 stairway to heaven

disc 2
201 bron-y-aur stomp
202 dazed and confused
203 what is and what should never be
204 dancing days
205 moby dick

disc 3
301 whole lotta love
--(medley-let thet boy boogie, let's have a party,
---stuck on you, hello mary lou, going down slow)
302 rock and roll

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Van Morris' Son: Montreux 1984 (FM) FLAC

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REO Speedwagon: Lansing 1980 (FM) FLAC

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Pink Floyd: Manchester 1974 (VG+ Aud) FLAC

Creative Intelligence (Sigma 19)
The Palace Theatre, Manchester, UK - December 9th, 1974
Artwork, Secure EAC Log, and Flac fingerprints included.
Very good audience recording, worth the download, - BackyardT

Disc 1:
Raving And Drooling, You’ve Got To Be Crazy, Shine On You Crazy Diamond

Disc 2:
Speak To Me, Breathe, On The Run, Time, Breathe (Reprise), The Great Gig In The Sky, Money, Us And Them, Any Colour You Like, Brain Damage, Eclipse

Disc 3:
Audience, Echoes

CMR: Pink Floyd’s 1974 British Winter Tour produced some of the most widely circulated recordings of all time including the well-documented Wembley concerts in mid-November and the infamous Stoke-On-Trent show which immediately followed that Empire Pool residency (and was the source for what is believed to be the first mass-produced Floyd bootleg, British Winter Tour ‘74, reportedly selling in excess of 100,000 units at the time!).
Taking its title from the very cool comic-style winter tour program, Creative Intelligence represents the first of a four night run at The Palace Theater in Manchester and the seventeenth date of the tour overall, so it’s not surprising to find the Floyd performing with more chemistry and confidence than the aforementioned dates, which were panned by critics and the band alike (but much-loved by the fans regardless).
Unlike past releases such as Shout To The Top’s Manchester Day (STTP 146/147) or private pressings like Kings Of The Palace, Sigma elected to divide the recording up over 3 discs, one for each of the two sets and a third for the encore, resulting in a much more accurate and enjoyable re-creation of the actual concert (as opposed to some versions that split up “Dark Side Of The Moon” into halves, which is always unfortunate). Some folks might complain about the added cost of a 3rd disc containing only the encore, but in terms of overall cohesiveness, I find this approach to be preferable.
Sourced from a low generation audience recording, the sound is very clear and extremely well-balanced, with every instrument, vocal, and sound effect perfectly audible, despite evidence the taper was slight distance from the stage. Musically, the set is complete and includes all the tune-ups, introductions, and hell, we’re even given an entire track of the audience prior to “Echoes!” There are brief cuts after “Raving And Drooling” and “You’ve Got To Be Crazy” but only a couple seconds of tuning are omitted in either case. The audience is attentive and appreciative throughout, with only an occasional side conversation audible during some of the softer bits - there is a good amount of distinctly British banter during the tune-ups but nothing too distracting during the actual performances.
The setlist for the entire tour consisted of the same material - the only variation being “Shine On You Crazy Diamond” opening the first seven dates and then subsequently shuffled to the end of the first set from the final Wembley date onward. More than likely, the logic behind this alteration in running order is because “Raving And Drooling” made for a more energizing opener compared to the melancholy of “Shine On.”
Both “Raving And Drooling” and “You’ve Got To Be Crazy” come across with more confidence than earlier performances from this tour, but there are no major developments in either piece compositionally compared to the initial dates; “Raving” has the familiar driving pulse and is structurally close to it’s later incarnation “Sheep,” but features some different lyrics and lacks the 23rd Psalm variant. Some nice “Eugene” screams about 11 minutes in that are worth mentioning though!
The guitar and synth interplay throughout the instrumental portions of “You’ve Got To Be Crazy” are truly awe-inspiring moments of musical synergy, and the results are significantly more interesting than the harmonized guitars we ultimately get on ”Dogs” years later. It’s kind of a shame the contrapuntal ideas were shunned in favor of straight 3rds harmonies from Animals onward, but it is fortunate they were captured here; the interweaving melodic lines really benefit from the great sonic balance offered on this recording, and are without question among the highlights of this performance.
Unfortunately, the vocal parts aren’t as successful; Gilmour’s verses, though melodic, are far too wordy for the space they’re alotted and Waters’ performance on this song is at times cringe-inducing as he struggles to hit the notes. Also on the downside is the fact that some sections are performed at a lethargic pace, resulting in a bit of a dragging sensation. But those lengthy instrumental passages are absolutely worth revisiting numerous times!
“Shine On You Crazy Diamond” was presented as a complete suite throughout this tour and this is one of the last dates for which a recording is known to exist with the song performed in this fashion. More wonderful musical conversations between Gilmour and Wright are captured here and the emotion of this piece really comes through in spades. Moreso than either “Raving” or “You’ve Got To Be Crazy,” “Shine On” is once again the most familar-sounding in relation to it’s final form of the new material showcased here (apart from the fact it’s not separated into halves).
The entire performance of “Dark Side Of The Moon” can be considered a highlight of this show with several passages of particular note: all of the tapes/effects are extremely vivid, “On The Run” is invigorating having been performed at a brisk tempo, Gilmour’s vocals on “Time” are outstanding as are those of The Blackberries on “Great Gig In The Sky” (which has an unique uptempo twist before settling back to the original feel), “Us And Them” is gorgeous and the extended solo sections of both “Money” and “Any Colour You Like” would make Clapton envious! Really, this stands as one of the better performances of the complete suite captured on tape.
Disc 3 features a good two minutes of audience activity before the well-received encore “Echoes” is introduced. For the most part this is a very good albeit standard performance of the epic, but it’s worth noting that this rendition includes Dick Parry’s sax solos that would be commonplace throughout the 1975 dates, and though I have mixed feelings about these improvs, I think they’re pretty successful on this occasion. The highlight of this rendition of “Echoes” is most certainly the fabulous synth solo beginning at the 17:27 mark which makes a great transition to Gilmour’s lead break during the triplet section. A fine conclusion for a great concert that is absolutely worth owning.
I’m of the opinion that between Siréne and Sigma, pretty soon there will be no need to hold onto the majority of older Floyd releases considering the high ratio of upgrades/definitive versions to duds (which can literally be counted on one hand) and Creative Intelligence is no exception, if naught else for the logical distribution of the set over 3 discs, and it sounds fantastic for an audience source, so don’t hesitate on this one or you’ll regret it later!

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Pink Floyd: Fort Worth 1977 (VG+ Aud) FLAC

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Pink Floyd: Tampa 1973 (VG Aud) FLAC

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Yes: Columbia, MD 1972 (VG+ Aud - Tooleman Remaster) FLAC

Merriweather Post Pavilion, Columbia, MD, 1972-08-13
“YesStorm” 35th Anniversary Remaster
Lineage: audience -> CDR -> EAC -> Sound Forge -> FLAC
Remastered by TheTooleMan 2002, 2007

OU: Recently, someone asked for opinions on what would be the top 10 must-have Yes ROIO’s. On my list, this is definitely near the top. Good recording quality, a powerful performance, and Mother Nature’s fury all wrapped into 80 minutes.
This remarkable recording documents Yes summoning a strong thunderstorm on a summer’s afternoon. The clouds gather, thunder booms and rain pours as the band plays “And You And I” and “Heart of the Sunrise.” Natural rumblings augment Rick Wakeman’s synthesized bombing of London and the Hallelujah Chorus. Jon and Steve both seem at ease with the situation. Jon sings a bit of The Eagle’s hit “Take It Easy” (The Eagles were opening for Yes on this leg of the tour) and Steve chimes in with a few chords of “It Don’t Come Easy,” a hit for Ringo Starr during the same period. Jon also suggests that “everybody from the back come and sit on everybody's knee and we'll have a good time” while it rains. Whether or not that happened cannot be gathered from the recording, but the crowd never loses its enthusiasm for the music. By the time Yes returned to the stage for their encore, “Yours Is No Disgrace,” the clouds had parted and the rain ended.
What more could you want? Close to the Edge, perhaps, but that track had its live debut the next night in Hartford, CT.
TheTooleMan - August 13, 2007

Firebird Suite
Siberian Khatru
I've Seen All Good People
Mood For A Day
Clap
Heart Of The Sunrise
And You And I
Wakeman Solo
Roundabout
Yours Is No Disgrace

Jon Anderson (Vocals),
Steve Howe (Guitars),
Chris Squire (Bass),
Rick Wakeman (Keyboards),
Alan White (Drums)

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Talking Heads: Bad Segeberg 1982 (VG+ Aud) FLAC

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REO Speedwagon: St Louis 1978 (FM) FLAC

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R.E.M.: Rouen 1984 (FM) FLAC

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Tori Amos: Studio Demos 1993 (FLAC)

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